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Good Hours

I HAD for my winter evening walk—
No one at all with whom to talk,
But I had the cottages in a row
Up to their shining eyes in snow.

And I thought I had the folk within:
I had the sound of a violin;
I had a glimpse through curtain laces
Of youthful forms and youthful faces.

I had such company outward bound.
I went till there were no cottages found.
I turned and repented, but coming back
I saw no window but that was black.

Over the snow my creaking feet
Disturbed the slumbering village street
Like profanation, by your leave,
At ten o’clock of a winter eve.
 
 
Good Hours

I HAD for my winter evening walk—
No one at all with whom to talk,
But I had the cottages in a row
Up to their shining eyes in snow.

And I thought I had the folk within:
I had the sound of a violin;
I had a glimpse through curtain laces
Of youthful forms and youthful faces.

I had such company outward bound.
I went till there were no cottages found.
I turned and repented, but coming back
I saw no window but that was black.

Over the snow my creaking feet
Disturbed the slumbering village street
Like profanation, by your leave,
At ten o’clock of a winter eve.
 
 
The Ground Beneath Her Feet, by Salman Rushdie
They, however, now had rather loftier ideas about the power of love, and of music, which is the sound of love.
Love is the relationship between levels of reality.
Love produces harmony and is the ruler of the arts. As artists we seek to achieve, in our art, a state of love.
Love is the attempt to impose order on chaos, meaning on absurdity. It is inventive, double-natured, holding the keys to everything.
There is love in the cosmos.
 
 
War and Peace, by Count Leo Tolstoy (Translated by Louise and Aylmer Maude)
Volume 2, page 59:

Like all men who had grown up in society, Prince Andrew liked meeting someone there not of the conventional society stamp. And such was Natasha, with her surprise, her delight, her shyness, and even her mistakes in speaking French. With her he behaved with special care and tenderness, sitting beside her and talking of the simplist and most unimportant matters; he admired the joyous brightness of her eyes and smile, which related not to what was said but to her own happiness. When she was chosen as a dancer, and rose with a smile and danced around the room, Prince Andrew particularly admired her shy grace. In the middle of the cotillion, having completed one of the figures, Natasha, still out of breath, was returning to her seat when another dancer chose her. She was tired and panting and evidently thought of declining, but immediately put her hand gaily on the man's shoulder, smiling at Prince Andrew.

'I'd be glad to sit beside you and rest: I'm tired; but you see how they keep asking me, and I'm glad of it, I'm happy and I love everybody, and you and I understand it all,' and much, much more was said in her smile. When her partner left her Natasha ran across the room to choose two ladies for the figure.

'If she goes to her cousin first and then to another lady, she will be my wife,' said Prince Andrew to himself, quite to his own surprise, as he watched her. She did go first to her cousin.
 
 
I've oft been told by learned friars,
That wishing and the crime are one,
And Heaven punishes desires
As much as if the deed were done.

If wishing damns us, you and I
Are damned to all our heart's content;
Come, then, at least we may enjoy
Some pleasure for our punishment!
 
 
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